Our focus on cultural topics was deliberate. In our efforts to break down stereotypes about Islam, our strategy was to humanize Muslims by showing them engaged in activities non-Muslims could relate to. Popular culture has always cut across cultural and geographic borders, so we focused heavily on the medium. Continue reading →
This development gives us an opportunity to reflect on similar stories that we have covered over the years. Rather than an isolated case of pushback against Islam, the Murfreesboro debate is just one example of attempts to ban or otherwise stifle expressions of faith. As I went through the Inside Islam archives, it really struck me what a monumental torrent of hate and Islamophobia Muslims are up against.
One of the controversial topics that Muslim scholars have debated throughout Islam’s history is whether music and singing are halal (permissible) or haraam (forbidden). As I mentioned in an earlier post on the singer and songwriter Maher Zain, Muslims vary in their opinions on music. Since this topic has been extensively discussed and most of the opinions either way can be very lengthy, in this post I will just summarize some of the key points on the contention over the issue of music and singing. Continue reading →
For Abu Haiba, mainstream music videos do not reflect Arab and Islamic cultural values nor do they represent the realities of the youth in the Middle East so he decided to launch a channel that would do just that. Abu Haiba also wanted to make religion more appealing to youth. 4Shbab broadcasts music videos that do not have backup singers, revealing clothing, or anything else that one would associate with mainstream music videos, but that does not mean that musical instruments are not used or that all the songs are about religion. It also features talk shows, variety shows, news, and an American Idol-like program called “Sotak Wasel,” which translates as “Your Voice is Heard.”
What do you think about 4Shbab and other religiously themed entertainment? Do you think they have an impact? What do projects like 4Shbab indicate about the diversity of the Muslim experience? Would you watch this channel? Please share your thoughts below.
According to Prof. Reynolds, the period of Al-Andalus was defined by tolerance, diversity, intercultural exchange, and innovation. One clear example was the music in which Jews, Christians, and Muslims all contributed. While this music was Arab in that the songs were sung in Arabic, there was a move away from regional traditions in the Arab world to a cosmopolitan tradition where a new class of professional musicians, from numerous backgrounds, came together and produced a new style of courtly music. Eventually, the people of Al-Andalus started to think of themselves as an important cultural center that rivaled Baghdad in the East. Continue reading →
The Muslims in Indonesia adopt the latter attitude. As Prof. Anderson Sutton told Inside Islam, Islamic music is not only allowed but is also a huge part of the popular culture in Indonesia, the largest Muslim country in the world. You can listen to the whole interview by clicking on the player below.