New Yorkers no longer have to travel to Linxia or Basra to catch a glimpse of Islamic artistic creativity. Last week, the Metropolitan Museum of Art (“The Met”) completed an eight-year renovation of their Islamic galleries, now housing over 1,200 works spanning more than 1,400 years. The Met even commissioned a Moroccan family with generations of artisan experience to coordinate and create a traditional Moroccan courtyard inside the museum itself.
Although most of the pieces have been in the permanent collection for years, the Met has taken some off of its dusty storage shelves and provided others with a more prominent display. Works now on display include a mihrab (prayer niche indicating the direction of Mecca) from Isfahan, an 18th-century Syrian reception room, and an Uzbek painting depicting the Prophet Muhammad’s Laylat al Miraj, or trip to heaven. Artists, historians, and many others have found a common appreciation for the stunning visuals offered to visitors, but I was also struck by the name given to the galleries.